
Observations / Jeff Kirk
If You Give Clients Options, You’re Asking Them to Do Your Job
Clear recommendations build confidence. A long menu of choices often transfers the hardest decision back to the client.
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The Moment You Give a Client Options
When you hand a client several equal options, you're asking them to make the recommendation they hired you to make. It can look thoughtful and responsible. More material seems like more value. But the responsibility just changed hands. A clear direction became an open question, and now the client has to sort through it.
A strong proposal usually has one direction people can picture as if it already exists. That's a good sign. Adding options to reduce risk or cover every possibility weakens that clarity, and the recommendation loses its center. Instead of reinforcing a point of view, the work turns into a set of possibilities, and the conversation shifts from deciding whether something is right to comparing which version is safest. You can watch it happen. The confidence that was there at the start gets harder to find.
This shows up in RFPs constantly. The options grow, the pages get longer, and everything looks more complete. But almost nothing gets clearer. Clients aren't looking for more material. They're trying to make a decision. It isn't much different from asking a doctor what to do and getting a list of possible treatments with no clear recommendation. You walk away with more information and less confidence.
We expect a recommendation in other fields. A surgeon doesn't walk in and say, here are five ways we could approach this, let me know which one you prefer. They study the situation, make the call, and take responsibility for it. That's exactly why you trust them. Every equal option you add gives the client one less reason to believe in the original recommendation. Too many options can look less like flexibility and more like hesitation.
They hint that the original idea might not be strong enough to stand on its own, and once that doubt is in the room, the client starts carrying it. Clients don't need more to choose from. They need something clear enough to believe in.
Why Agencies Keep Doing This
The instinct comes from a reasonable place. Presenting more can look thorough and collaborative and prepared. But it changes where the responsibility sits. When you present one direction, you own it. When you present several, the ownership gets shared, and once ownership gets shared, the clarity starts to disappear. Options don't reduce risk. They transfer it. They move the burden of being right from the agency to the client, which might ease the pressure inside your own building while adding uncertainty on theirs.
There's another cost. Options don't increase ownership. They delay it. As long as several directions stay open, nobody fully steps into any of them. The decision stays in motion, and without that moment of commitment, the work never really takes hold. Each extra option works as a hedge, a just in case. Just in case they don't like the first idea. Just in case someone pushes back. Just in case you're wrong. The client picks up on that. And the moment they do, they step in to manage the decision themselves.
What It Does to the Work
Creative work depends on a clear point of view, something that holds. When you introduce several directions at once, that clarity starts to weaken, because the work is no longer standing on its own. It's sitting beside alternatives that split the attention and pull the focus apart. Creative work can lose its force before it's ever rejected, simply because it never got to stand alone. Every added option spreads the attention thinner, which makes the work easier to approve and harder to remember.
The more options you give, the easier it becomes for the client to forget what you recommended in the first place. A strong idea can turn into something everyone approves and nobody remembers.
In event work this gets obvious fast. More sessions, more formats, more paths. The structure expands, but the experience fragments. Instead of one shared experience, you end up with a series of individual ones that are harder to connect and harder to carry forward. Strong work has a center, and that center only exists when something gets chosen and then allowed to hold.
A Clearer Approach
This isn't about removing choice altogether. It's about using it with intention. Strong agencies don't show everything they could do. They show what matters and stand behind it. They don't need to display every idea they considered. They take on the responsibility of deciding early, so the client doesn't have to carry that weight later. They present a direction, not a menu, and they give the client something to step into instead of something to sort through. Once the client commits, the work can finally move. In the end, clients never remember how many options they were given.
They remember the moment the direction made sense.
Originally published in The Art of What You Don’t See on LinkedIn
